May 23rd, 2016 | by Stephen Slaybaugh | published in Features | Leave A Comment »
Hitting their stride in the late ’90s, Scottish four-piece Travis is often depicted as the first of a new wave of British bands to follow once the fervor surrounding Brit-pop earlier in the decade had died and left a lull in its wake. But while they may have shared some of their peers’ penchant for instantly fetching melodies, the band separated itself from the pack …
April 18th, 2016 | by Stephen Slaybaugh | published in Features | 1 Comment »
Formed in 1983 by songwriting principals singer Mark Mulcahy and guitarist Ray Neal, New Haven’s Miracle Legion crafted a finely tuned blend of jangly pop-rock, folk intricacies, and Van Morrison-esque soulfulness that by all rights should have grabbed the as of yet unrecognized alternative masses by the ears. Indeed, though they couldn’t get a record review without at least a mention of REM, they never …
March 27th, 2016 | by Jamie Pietras | published in Features | Leave A Comment »
Alone with my headphones and immersed in experimental hip-hop veteran RJD2’s latest release, the eclectic and soulful odyssey Dame Fortune (RJ’s Electrical Connections), my mind drifted to photos I’d seen a few months earlier. The reverie occurred somewhere between track two, a two-and-a-half-minute burst of frenetic then gliding Afrobeat-inflected funk, and track three, a stirring and emotive soul cut featuring the vocalist Jordan Brown.
They …
October 6th, 2015 | by Stephen Slaybaugh | published in Features | Leave A Comment »
As one-half of The Go-Betweens’ songwriting nucleus, Robert Forster was responsible for some of the most brilliant pop music to emerge from the land down under. But to simply describe what he and partner Grant McLennan created as “pop,” doesn’t do it justice, as the term suggests something disposable or ephemeral. While their music was catchy and frequently sparkling and bright, it was also literate …
July 20th, 2015 | by Jamie Pietras | published in Features | Leave A Comment »
Emerging from Los Angeles in the late ’70s, X, along with groups like The Gun Club and The Blasters, infused Americana into three-chord rock to create a unique country-punk hybrid. Steeped in an appreciation for poetry as well as folk music traditions, Exene Cervenka and fellow lyricist John Doe inverted the trope of a shiny, happy city of angels on their debut album, Los Angeles…
March 3rd, 2015 | by Stephen Slaybaugh | published in Features | Leave A Comment »
As riveting as the music that sprang up during punk’s assurgency in the late ’70s might have been, the subsequent bands and variations that followed in its wake were perhaps even more astounding. Like many of their contemporaries, The Pop Group was an answer to punk’s DIY call to arms. The Bristol-born band took its vitriolic predecessors’ rebellious attitude and applied it to a hybrid …
January 26th, 2015 | by Stephen Slaybaugh | published in Features | 1 Comment »
Named by friends in The Mekons after a faction in China’s Cultural Revolution of the late ’60s, Gang of Four is perhaps most widely known as the post-punk provocateurs responsible for songs like “Anthrax,” “I Love a Man in a Uniform,” and “To Hell with Poverty.” Seemingly fueled by punk’s lasting anger-derived energy when they formed in Leeds in 1977, on seminal records like their …
December 11th, 2014 | by Stephen Slaybaugh | published in Features | Leave A Comment »
In the annals of punk rock history, there is a wide spectrum of notoriety, from the unsung heroes to the Hall of Fame pillars with which everyone is familiar. Somewhere in between those extremes are the Pagans, the Cleveland punk band fronted by Mike Hudson that operated in fits and spurts in the late ’70s and ’80s. Every bit as volatile as they were fearsome, …
November 17th, 2014 | by Stephen Slaybaugh | published in Features | Leave A Comment »
Both as a member of Welsh psych-pop hooligans Super Furry Animals and as a solo artist, Gruff Rhys has always combined innate songwriting smarts with a certain curiosity and exploratory nature as well as hereditary pride. In both instances, he’s sung in both his native tongue and English, creating a songbook inherently catchy even when you can’t understand a word he’s singing. No stranger to …
November 6th, 2014 | by Stephen Slaybaugh | published in Features | Leave A Comment »
As the bass player in both Joy Divison and New Order, Peter Hook has been at the center of two of the most distinctive and influential bands to follow in the wake of punk rock. As he details in his recent book, Unknown Pleasures: Inside Joy Division, that infamously short-lived band formed as a direct result of seeing the Sex Pistols and took up …