If New Zealand was the world's WTF scene in the early ’80s and beyond—producing slightly deranged, slightly pop jangle and discordance

For many a male youth born after 1970, ingesting Black Sabbath for the first time is a rite of passage. To miss out on the band’s occult

PC Music, as much as can be gleaned, is a collective of terribly un-Googleable British producers who manufacture a maximalist brand of guilty pleasure

Irreverence and pop: they are two things that seem intertwined and unique to the current litter of Columbus bands making records, producing

To understand Skaters completely, one has to understand what was happening in and around New York during the turn of the century. While it is a city that is perpetually seen as the center of the universe, 2001 was a year when New York seemed like the only place on earth. The release of records by The Strokes, The Walkmen,  and the Yeah Yeah Yeahs …

Usually I have an aversion to Kickstarter campaigns, but I’ll give Swearing at Motorists a pass, if only because the first album

What exactly is the germ of Columbus “weirdo” rock? There have been many left-of-center acts around the Heart of It All (i.e. Ubu, Eels, Devo, Numbers)

It's probably best that Joel RL Phelps albums come few and far between. They are generally unwieldy, sobering, depressing

Last year’s gloriously messy Go Easy revealed that there was more to the racket made by Brisbane upstarts Blank Realm than trashy noise-rock

There's a line on “Lariat,” the buoyant lead single from Stephen Malkmus’ sixth solo record, Wig Out at Jagbags (Matador Records), which might just be the best