{"id":947,"date":"2014-02-24T09:13:52","date_gmt":"2014-02-24T14:13:52","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=947"},"modified":"2014-02-28T08:11:44","modified_gmt":"2014-02-28T13:11:44","slug":"introducing-brat-curse","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/introducing-brat-curse\/","title":{"rendered":"Introducing…
Brat Curse"},"content":{"rendered":"

\"Brat<\/a>Irreverence and pop: they are two things that seem intertwined and unique to the current litter of Columbus bands making records, producing, playing, and multiplying. Sega Genocide, WV White, Nervosas, and now, Brat Curse\u2014all quite different, but each reveling in mutations of punk and pop of the \u201990s (and even \u201900s) and fringe tropes picked up along the way. They\u2019ve replaced the weirdo trash and lo-fi of the past with this new tact, even though the psycho anything-goes aesthetic of Psychedelic Horseshit is alive and reinvigorated and the gnarl-fi of Times New Viking seems to have carried currency since that band\u2019s departure. This combination has carried over to Dayton and seems to wash up on the shores of the Olentangy again and again.<\/p>\n

Brat Curse\u2019s Brian Baker logged numerous hours in Dayton\u2019s last wave of hopefuls\u2014from the blitzkrieg of Astro Fang to the equally pop-smart Smug Brothers\u2014but little of that feeds into the cool blast of Brat Curse\u2019s self-titled and self-released<\/a> debut album. It\u2019s a balance between the sniveling, snotty and somewhat crusty world of the \u201977 punks and stadium-wannabe gods of \u201990s indie-rock like Pavement and Dinosaur Jr. But even the Smashing Pumpkins and Weezer are included influences as Brat Curse\u2019s go-for-broke choruses seem to mimic a Lollapalooza bender. It\u2019s a nice line on which to teeter. With Brian\u2019s brother Justin on bass and Chris Mengerink on the drums, this is a power trio steeped in both nervous energy and nostalgic vibes. I recently talked with Mengerink via e-mail to discuss how this all began and how we define indie rock these days.<\/p>\n

What\u2019s your origin story? What bands did you play in before this? <\/b><\/p>\n

Chris Mengerink<\/b>: I have been friends with Justin and Brian since I was 12. We formed tons of bands in junior high and high school with even worse names than Brat Curse. Few stuck, including Astro Fang and Yakuza Heart Attack. While playing in Astro Fang, Brian had recorded some electronic-style tracks that weren\u2019t quite right for Astro Fang, so the three of us tried playing a more stripped down live version.<\/p>\n

You guys are originally from Dayton, correct? Can you shed some light on what the Dayton scene has been like in the last 10 years, post-boom? <\/b><\/p>\n

CM: <\/b>Dayton is always an awesome city to play. There are fewer venues there now than there used to be, but shows are generally very well attended. In a city like Dayton, there is not much to do other than drink and go crazy at rock shows. Sure we didn\u2019t become the next Seattle like some assumed in the \u201990s, but we still have some incredible bands. I\u2019d move back there just for The Motel Beds.<\/p>\n

What brought you all to Columbus? How has it been playing shows here opposed to Dayton? <\/b><\/p>\n

CM: <\/b>I had been living in Columbus for a few years after college and was begging Justin and Brian to come up. We all love Dayton, but knew we\u2019d all be alcoholics or dead if we stuck around any longer. Columbus can be rough because it\u2019s a much bigger city. It is definitely harder to get everyone out to shows, since there are so many venues, but we\u2019re slowly building a following. It\u2019s also just great to see new faces every time we play.<\/p>\n

I hear a lot of influence in your sound. It\u2019s a bit pop and a bit punk. How do you describe it? <\/b><\/p>\n

CM: <\/b>We definitely have many influences across the board, but a lot of what we strive towards is \u201970s punk rock and post-punk. We grew up in the \u201990s in Dayton so there is definitely a big influence from bands like Brainiac, GBV, The Breeders, and The Pixies.<\/p>\n

I\u2019m sure most would give it the term \u201cindie rock.\u201d What\u2019s your definition of \u201cindie rock\u201d in 2014? <\/b><\/p>\n

CM: <\/b>I think the term \u201cindie rock\u201d has become somewhat meaningless now. It\u2019s kind of like calling something \u201crock & roll.\u201d There are so many connotations associated with it now that it means many different things to different people as far as trying to describe the sound of something. I still use the term when bands sound unpolished or raw, but it still feels like a cop out.<\/p>\n

\u201cSpace Junk,\u201d \u201cBirthday Earthquake,\u201d \u201cSnow Cone\u201d\u2014your subjects seem very abstract. What exactly do you guys write about when you\u2019re putting together a song? <\/b><\/p>\n

CM: <\/b>Brian writes all the lyrics on his own. I sing back-up and still don\u2019t really know half of them. When we write songs, lyrics are usually the finishing touch. A lot of our favorite singers are fairly abstract. While recording the album Brian and I listened to that song \u201cUnfair\u201d by Pavement like a thousand times. The lyric \u201cWalk with your credit card in the air, swing your nachos like you just don\u2019t care\u201d is so insane but so good. We need to write a song about nachos and credit cards.<\/p>\n

Jam or shred?<\/b><\/p>\n

CM: <\/b>Super shredder. Shredded cheese. Shredded lettuce. Angus Young.<\/p>\n

Besides records, what influences the sound of Brat Curse?<\/b><\/p>\n

CM: <\/b>Movies, TV, and video games have definitely affected our friendship, if not our music. We\u2019re all pretty nerdy. Practices usually consist of a lot of really dumb jokes and movie references. They\u2019re usually from Suburban Commando<\/i>. \u201cWhat are you nuts? This is the \u201990s. We\u2019re gonna sue you!\u201d<\/p>\n

Fill in the blanks:
\nIn 10th grade I was listening to _____ in the _____ with _____ doing _____ wishing I was _____.<\/b><\/p>\n

CM: <\/b>In 10th grade I was listening to Zeppelin in the basement with Brian doing whip-its wishing I was dead.<\/p>\n","protected":false},"excerpt":{"rendered":"

Irreverence and pop: they are two things that seem intertwined and unique to the current litter of Columbus bands making records, producing<\/p>\n","protected":false},"author":3,"featured_media":950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[402,1445],"class_list":["post-947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-primitive-futures","tag-brat-curse","tag-primitive-futures"],"yoast_head":"\nIntroducing... 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