![\"\"](\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/L7.jpg\")
<\/a><\/p>\nOpeners Death Valley Girls<\/b> look and sound like they stepped out of a \u201880s cartoon about what a rock band should look and sound like. Right now you\u2019re thinking Jem and The Holograms, and you\u2019re not entirely wrong.<\/p>\n
Almost all of this impression is due to Bonnie Bloomgarden. The vocalist wears a cute red dress with black hair and black stockings. She skips and skits around the stage playing retro-looking keys and, sometimes, a guitar. In between songs, she speaks in a Betty Boop falsetto in a way that is much more endearing than annoying. The songs themselves are spazzy Technicolor rock & roll tales of UFO abductions and the like. If you cannot have fun watching the Los Angeles band, there\u2019s no hope for you.<\/p>\n
In retrospect, maybe there was no hope for L7, at least, to break through in a major commercial way. It seems criminal that Bricks Are Heavy<\/i> never even reached gold status in America since it was in many ways the quintessential grunge record.<\/p>\n
A lot of people hate that word (likely including L7 themselves), but while it was a term made up by the media, it still does a good job of neatly tying together the heavy rock bands that exploded out of the alt-rock \u201890s, merging metal and punk without pretense. Although a different meshing of similar parts first happened a decade earlier with thrash, that truce occurred in an underground vacuum. Rock radio never played D.R.I., MTV never played Cryptic Slaughter, and Lollapalooza wasn\u2019t around for them to play on the second stage.<\/p>\n
L7 were the perfect ambassadors for the time. They recorded for Epitaph and Sub Pop before being snatched up by Slash\/Warner Bros. for the Butch Vig\u2013produced 1992 Bricks<\/i> opus. It was just like the band: smart and full of attitude, but with an accessibility that should have earned them more than just critical acclaim. Instead, they wound up being one of the Steve Albini\u2013prophesized major label bands with more debt than royalties.<\/p>\n
The wonderful Pretend We\u2019re Dead<\/i> documentary that came out last year tells the tale of the band living like rock stars on the road in busses paid for with credit they could never repay. The neat thing about the flick is that it relies on contemporaneous video footage instead of modern interviews clouded by nostalgia and selective memory. So it doesn\u2019t really examine why L7 didn\u2019t take off.<\/p>\n
It doesn\u2019t have to. It\u2019s pretty obviously sexism.\u2028\u2028It was sexism that kept them from getting on a lot of radio playlists. The fact they were girls worked its way into all press, even the most flattering pieces. They didn\u2019t dress any differently than their male counterparts and rocked a hell of a lot harder, but that didn\u2019t stop them from being perceived as part of a second tier.<\/p>\n
The band\u2019s two most enduring tales involve Donita Sparks tossing her tampon at a mud-slinging Reading Festival crowd and Beavis & Butt-head confusing them for The Bangles. \u2018Nuff said.<\/p>\n
The reformed L7 don\u2019t dwell on this, but you have to know that they realize that it\u2019s one of the reasons Trump is our president. That fact inspired \u201cDispatch From Mar-a-Lago,\u201d the first new music in 18 years for the band that was rush-released last September.<\/p>\n
\u201cWe had to rush this out because we thought he might be impeached,\u201d Sparks said in introducing the track. It\u2019s the B-side to the more recently released \u201cI Came Back to Bitch\u201d single. The catchy, glammy riffs are emblematic of the band\u2019s past and makes you think the future album due out next year on Don Giovanni Records will do nothing to tarnish L7\u2019s legacy.<\/p>\n
The band is cognizant of that legacy. A third of the setlist was devoted to Bricks Are Heavy<\/i>, including the sinister bass-thumping of \u201cMonster,\u201d which segued into \u201cEverglade\u201d sung by Jennifer Finch. (The phrase \u201cRednecks on parade\u201d still makes me giggle.) They also played \u201cScrap,\u201d the bouncy and self-explanatory \u201cShitlist,\u201d and the grinding \u201cOne More Thing,\u201d sung by Finch, whose underlying melody makes it one of the most under-repped songs of their catalog.<\/p>\n
The band also performed a smattering of \u201chits\u201d from its other \u201890s releases; faves included the chunky \u201cAndres\u201d off 1994\u2019s Hungry for Stink<\/i> and, from The Beauty Process: Triple Platinum<\/i>, the sludgy \u201cMust Have More,\u201d both sung by Suzi Gardner. It\u2019s always been cool that L7 splits up the lead vocal duties.<\/p>\n
The band played only one track from their disjointed 1999 swansong Slap-Happy<\/i> and nothing off their 1988 eponymous debut, though they opened the show with a ferocious and fun take of \u201cDeathwish\u201d from Smell the Magic<\/i> and came back to the record to close the set with \u201cFast and Frightening\u201d as the final encore. The encore also included \u201cPretend We\u2019re Dead\u201d and a cover of Agent Orange\u2019s \u201cBloodstained\u201d that they have been doing live for ages.<\/p>\n
With the inclusion of drummer Demetra Plakas, L7 has the whole \u201cclassic\u201d lineup intact. Touring for the past couple of years has made them not a novelty but a fierce, cohesive unit that seems like it stepped right out of the \u201890s without missing a beat. Which is great because let\u2019s be honest: we need L7 more than ever before.<\/p>\n","protected":false},"excerpt":{"rendered":"
Openers Death Valley Girls look and sound like they stepped out of a \u201880s cartoon about what a rock band should look and<\/p>\n","protected":false},"author":19,"featured_media":6701,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[2217,2218,1443],"class_list":["post-6696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whats-the-rumpus","tag-l7","tag-trocadero-theater","tag-whats-the-rumpus"],"yoast_head":"\n
L7 Trocadero Theater, Philadelphia, April 13 - The Agit Reader<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L7 Trocadero Theater, Philadelphia, April 13 - The Agit Reader\" \/>\n<meta property=\"og:description\" content=\"Openers Death Valley Girls look and sound like they stepped out of a \u201880s cartoon about what a rock band should look and\" \/>\n<meta property=\"og:url\" content=\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/\" \/>\n<meta property=\"og:site_name\" content=\"The Agit Reader\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TheAgitReader\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-23T12:42:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-05-04T16:47:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/L7-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Brian O'Neill\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@agitreader\" \/>\n<meta name=\"twitter:site\" content=\"@agitreader\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brian O'Neill\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/\"},\"author\":{\"name\":\"Brian O'Neill\",\"@id\":\"http:\/\/agitreader.com\/wp2\/#\/schema\/person\/2688b6925d721bbc0391fd9145777c8e\"},\"headline\":\"L7 Trocadero Theater, Philadelphia, April 13\",\"datePublished\":\"2018-04-23T12:42:43+00:00\",\"dateModified\":\"2018-05-04T16:47:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/\"},\"wordCount\":898,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/agitreader.com\/wp2\/#organization\"},\"image\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/L7-1.jpg\",\"keywords\":[\"L7\",\"Trocadero Theater\",\"What's the Rumpus?\"],\"articleSection\":[\"What's the Rumpus?\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/\",\"url\":\"https:\/\/agitreader.com\/wp2\/l7-trocadero-theater-philadelphia-april-13\/\",\"name\":\"L7 Trocadero Theater, Philadelphia, April 13 - 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