{"id":6668,"date":"2018-04-09T00:36:49","date_gmt":"2018-04-09T04:36:49","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=6668"},"modified":"2018-04-23T08:43:05","modified_gmt":"2018-04-23T12:43:05","slug":"screaming-females-union-transfer-philadelphia-april-5","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/","title":{"rendered":"Screaming Females <br>Union Transfer, Philadelphia, April 5"},"content":{"rendered":"<p><b><a href=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6669\" src=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales1.jpg\" alt=\"Screaming Females\" width=\"600\" height=\"400\" srcset=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales1.jpg 600w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales1-300x200.jpg 300w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales1-590x393.jpg 590w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/b><\/p>\n<p><b>HIRS<\/b> is a collective, but onstage there are only two members. Esem plays a severely distorted guitar and does it quite well; JP screams and operates a sampler. But once you get past those facts, things get complicated.<\/p>\n<p>Part performance art, part activist organization, part animated thrashing grindcore, HIRS\u2019 set was only about 15 minutes, but it was 15 minutes of them spastically banging into one another while performing every one of the less-than-a-minute songs about Trans women taking over the world. And it was wonderful.<\/p>\n<p>It\u2019s hard to find a tour where <b>Thou<\/b> is the most archetypal band. They\u2019re almost always the slowest band on the bill, but none of the groups they usually share stages with are anything like the headliners, Screaming Females, and nobody is like HIRS. I have only seen Thou with metallic bands, and they were usually the most unorthodox.<\/p>\n<p>The set was the exact same experience despite the vastly different surroundings: sludge, lots of evil sounding sludge, slowly oozing from the PA, with Cajun seasoning befitting the band\u2019s Louisiana homeland.<\/p>\n<p>Vocalist Bryan Funck spent the whole set shifting his weight and crouching like vintage Hot Animal Machine Henry Rollins and screaming at his own drummer. He wasn\u2019t antisocial\u2013he joked about how cool it would be to have a preppy doom skate band called Subd\u00fcd (he specified the umlaut\u2013and ruminated about the fictitious merch this fictitious band would sell at a fictitious merch booth, to the confused amusement of the crowd. However, when he screamed he lunged back and forth and looked away from the crowd.<\/p>\n<p>One thing that made me chuckle was how the mostly not-in-league crowd left this show thinking that metal always sounds like dirgy molten lava slowly cooling into pumice. Because of course it does.<\/p>\n<p>Explaining <b>Screaming Females<\/b> to metalheads\u2013or anyone, really\u2013is not that easy unless you cop out and spend all your time talking about Marissa Paternoster. You tick off the list for what makes the band unique and most items involve her: she\u2019s diminutive and dresses like a cute gothic beatnik, but she plays the guitar like a motherfucking riot. Seriously, hairy Eddie Van Halen wannabes at Guitar Center would watch, mouths agape, wondering how she can shred so hard. But right up there with her guitar playing is that voice, powerful and dynamic and dripping with righteous, personal fury.<\/p>\n<p>Still, none of that really answers the question, \u201cSo dude, what do they sound like?\u201d very satisfactorily. It\u2019s kinda punk, kinda indie rock. If you really want to try and nail down their sound, the rhythm section that often gets lost in Paternoster praise is where you should start. Bassist Mike King and drummer Jarrett Dougherty have been playing alongside Marissa since 2005. They have developed a chemistry that is greater than the sum of their parts, and that can be said without denigrating said parts. King\u2019s chugging bass lines blur the lines between pumping post-punk and classic rock. He and Dougherty provide a very solid foundation that is equally adept for garages as arenas.<\/p>\n<p>The Union Transfer is somewhere in between, a largish 1,200 capacity theater and the biggest venue the band has headlined in its adopted home. (Though they still consider themselves a New Brunswick band, Dougherty and Paternoster now reside in the area). The only accruement to the large stage was the inclusion of a red Tube Man, the flailing, inflatable dude most often seen at used car lots. There wasn\u2019t even a backdrop. One amp was emblazoned with a sign commanding, \u201cGet off the Internet.\u201d<\/p>\n<p>The band mostly stuck to its faster, heavier cuts to make the most immediate impact. This included \u201cRipe,\u201d whose bass-chug and jagged riffs sound like the Au Pairs playing sped-up stoner metal. It was from the band\u2019s 2014 breakthrough album <i>Rose Mountain<\/i> from which they also performed the title track and a version of \u201cCriminal Image\u201d where the band broke into an extended jam that made it stretch out much farther than the studio version.<\/p>\n<p>A huge billboard for the band\u2019s new album, <i>All at Once<\/i>, could be found only a few blocks from the venue. It wouldn\u2019t shock if Don Giovanni Records spent more on that signage than the entire budget for the band\u2019s earlier releases. (This is a good time to take a moment to praise the band for staying with the indie when larger labels had to have been approaching with checkbooks open.) The band played several tracks from the new record including the bouncy \u201cBlack Moon\u201d that opened the set and the metronomic melodramatic thrash of \u201cGlass House.\u201d<\/p>\n<p>Marissa is not known for being overtly chatty but she seemed especially quiet, pausing only a couple of times between songs to thank the crowd or the openers. Towards the end of the set, as the band lurched into \u201cA New Kid\u201d from 2010\u2019s <i>Castle Talk<\/i>, you could tell something was amiss. She lurched into her mic, causing it to flip over. It took longer than usual for a roadie to pick it back up, and during that time she crashed to the stage and looked disapprovingly at her massive pedal board. She seemed upset, though there was no telling why. Maybe it had built up throughout the night: maybe she was frustrated at malfunctioning gear or maybe it was residual from when the band had to restart \u201cSoft Domination\u201d because someone made a mistake.<\/p>\n<p>The band left the stage briefly before returning to play \u201cI\u2019ll Make You Sorry,\u201d one of the more straightforward pop songs the band has ever penned. Supposedly Garbage is one of Marissa\u2019s favorite bands (even before they toured together and then teamed up on a cover of \u201cBecause the Night\u201d for a 2013 Record Store Day single), but this is the only song played where you could hear the influence. Then, she flung her guitar to the floor and stormed off the stage. No thank you, no good bye. No explanation, not that we are owed one, but it was sure peculiar.<\/p>\n<p>Screaming Females are an astounding band: talented, unique, brawny yet brainy, able to play but never wont to show off their chops at the expense of creating memorable, anthemic songs. The performance this evening (for most of the set) was typical of that brilliance. Things kind of crashed at the end. Sometimes that happens to the best of them. It wouldn\u2019t stop me from seeing them again and it shouldn\u2019t stop you either.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>HIRS is a collective, but onstage there are only two members. Esem plays a severely distorted guitar and does it quite well; JP screams<\/p>\n","protected":false},"author":19,"featured_media":6670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[2213,1139,2039,1952,1443],"class_list":["post-6668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whats-the-rumpus","tag-hirs","tag-screaming-females","tag-thou","tag-union-transfer","tag-whats-the-rumpus"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Screaming Females Union Transfer, Philadelphia, April 5 - The Agit Reader<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Screaming Females Union Transfer, Philadelphia, April 5 - The Agit Reader\" \/>\n<meta property=\"og:description\" content=\"HIRS is a collective, but onstage there are only two members. Esem plays a severely distorted guitar and does it quite well; JP screams\" \/>\n<meta property=\"og:url\" content=\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/\" \/>\n<meta property=\"og:site_name\" content=\"The Agit Reader\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TheAgitReader\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-09T04:36:49+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-23T12:43:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Brian O&#039;Neill\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@agitreader\" \/>\n<meta name=\"twitter:site\" content=\"@agitreader\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brian O&#039;Neill\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/\"},\"author\":{\"name\":\"Brian O'Neill\",\"@id\":\"http:\/\/agitreader.com\/wp2\/#\/schema\/person\/2688b6925d721bbc0391fd9145777c8e\"},\"headline\":\"Screaming Females Union Transfer, Philadelphia, April 5\",\"datePublished\":\"2018-04-09T04:36:49+00:00\",\"dateModified\":\"2018-04-23T12:43:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/\"},\"wordCount\":1093,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/agitreader.com\/wp2\/#organization\"},\"image\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/04\/screamingfemales.jpg\",\"keywords\":[\"HIRS\",\"Screaming Females\",\"Thou\",\"Union Transfer\",\"What's the Rumpus?\"],\"articleSection\":[\"What's the Rumpus?\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/\",\"url\":\"https:\/\/agitreader.com\/wp2\/screaming-females-union-transfer-philadelphia-april-5\/\",\"name\":\"Screaming Females Union Transfer, Philadelphia, April 5 - 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