{"id":6637,"date":"2018-03-18T22:01:20","date_gmt":"2018-03-19T02:01:20","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=6637"},"modified":"2018-04-09T08:31:14","modified_gmt":"2018-04-09T12:31:14","slug":"idles-philamoca-philadelphia-march-11","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/","title":{"rendered":"Idles <br>PhilaMOCA, Philadelphia, March 11"},"content":{"rendered":"<p><a href=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idles.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6639\" src=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idles.jpg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idles.jpg 600w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idles-300x200.jpg 300w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idles-590x393.jpg 590w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>John Sharkey III came to some prominence fronting Clockcleaner. The band\u2019s noisy art-punk got less dissonant as they went, though the same couldn\u2019t be said about Sharkey. He was a character, \u201cDon Rickles meets GG Allin\u201d according to <i>The Village Voice<\/i>. You can find a show review online where it mentions how he spent the whole set taking batting practice using a bat to bash beer cans in the direction of a rapidly dwindling, terrified crowd. You never quite knew what would happen when he opened his mouth, onstage or off of it.<\/p>\n<p>Maybe he has mellowed in his older age. Having kids will do that to a man (he has two of them now). Possibly his beloved Eagles finally winning a Super Bowl did the trick. Or maybe it was his time spent in Australia that took the edge off. This night, a vintage black and white documentary about the continent played on the backdrop behind his current project, <b>Dark Blue<\/b>, and he pointed to it several times to indicate inspiration for the songs played during his set. No wonder he\u2019s going back later this year.<\/p>\n<p>The band, which formed four years ago, puts on a show that doesn\u2019t need a showman. Replacing his acerbic sneer and unpredictability is uncontroversial stage banter and a stately baritone that fits perfectly with 30 minutes steeped in \u201880s New Romanticism. Comparisons to Joy Division are apt, but not only because of his Ian Curtis\u2013esque voice; the trio\u2019s rhythm section of fellow Philly stalwarts Andrew Mackie Nelson and Michael Sneeringer is bottom-heavy and plodding, a path that allows Sharkey to stand out for something other than indiscriminate instability.<\/p>\n<p>Idles (pictured top) released <i>Brutalism<\/i> almost exactly a year ago, and it\u2019s been a whirlwind between then and this handful of dates leading them to the South by Southwest Fest where they will perform for the second straight year. Spurred on by critical acclaim and steady European touring, including dates supporting the The Maccabees and the Dead Kennedys, as well as at a Foo Fighter show in London\u2019s O2 Arena, the band signed with Partisan Records who released the debut for America. They sold out this Philly date as well as three Brooklyn shows.<\/p>\n<p>It\u2019s good to be Idles right now. But it might be even better to get to see them live. Ask the girl who drove all the way from Virginia to be front and center in the former mausoleum showroom.<\/p>\n<p>The band doesn\u2019t embrace the postpunk label thrust upon them, which is understandable since the live show is a lot closer to the undiluted promise of punk itself. They gleefully tear down the figurative barriers between musicians and audience by leaping into the crowd, with or without instruments, sometimes with microphones so the audience can join in on the gang choruses. At one point guitarist Mark Bowen gave his guitar to a bewildered fan to riff along with the band while he watched approvingly.<\/p>\n<p>Starting off with the first track on Brutalism, \u201cHeel\/Heal,\u201d it set the stage for a reliance on the debut \u2013 the band would play ten of the thirteen tracks from the album \u2013 and how Idles makes grand socio-political statements fun. Donning goofy headgear that they would all soon lose the five of them were unchoreographed, acting like they were each playing a different song as vocalist Joe Talbot sarcastically screamed about wanting to move into a Bovis home \u2013 the British equivalent to a homogenous suburban hell. Conform or be cast out.<\/p>\n<p>\u201cThe Idles Chant\u201d is an obvious homage to \u201cMonks Chant\u201d by \u201860s avant-garage pioneers The Monks. Other points of reference are almost as easy to see; take the wit and whimsy of McLusky, add in a healthy pinch of Pissed Jeans\u2019 nihilism (it was probably not a coincidence that the band\u2019s frontman, Matt Korvette, deejayed at the show between bands), and make sure the end result is tighter than a duck\u2019s ass. \u201c1049 Gotho\u201d emblematized the depths of depression in lines like, \u201cHelp me, help me. Won\u2019t someone set me free? There\u2019s no right side of the bed with a body like mine and a mind like mine.\u201d But how can you be bummed when you\u2019re dancing so hard to those clanging guitars and chugging bass? \u201cWhite Privilege\u201d starts off with a joke (\u201cHow many optimists does it take to change a lightbulb? None! Their butler changes the lightbulb!\u201d) and breaks into a chant of \u201cSwing, batter, batter,\u201d so maybe you are headbanging so hard you don\u2019t notice its scathing take on class warfare, just as \u201cDivide &amp; Conquer\u201d swings like a pendulum while criticizing the privatization of the NHS.<\/p>\n<p>Especially emblematic of this juxtaposition is \u201cMother.\u201d Adam Devonshire\u2019s throbbing bass swaggers like vintage Wire or The Jam, the chorus is repetitive and comically profane, yet the final punchline is inspired by a Margaret Atwood quote on sexual violence. Oh, and Talbot literally pressed his mother\u2019s ashes into a limited pressing of the record.<\/p>\n<p>The band ended the set by playing the spastic \u201cDate Night\u201d (because Amber, the girl who came from Virginia to see Idles, plaintively requested it) and the as-yet-unreleased \u201cRottweiler.\u201d In the last of a long line of seeming contradictions, Talbot introduced the final salvo with a plea for love right before Idles plowed headfirst into the most primal, thrashing song of the night.<\/p>\n<p>Idles are snarling and sincere, unpretentious yet virtuous, smart enough to dumb things down. They look outward at the political decay of their homeland through introspective eyes. They\u2019re caustic and carefree and relentless and brilliant. They could prove to be too good for the world or take it over. Either way, it\u2019s going to be a lot of fun watching them try.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Sharkey III came to some prominence fronting Clockcleaner. The band\u2019s noisy art-punk got less dissonant as they went<\/p>\n","protected":false},"author":19,"featured_media":6640,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[2205,1443],"class_list":["post-6637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whats-the-rumpus","tag-idles","tag-whats-the-rumpus"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Idles PhilaMOCA, Philadelphia, March 11 - The Agit Reader<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Idles PhilaMOCA, Philadelphia, March 11 - The Agit Reader\" \/>\n<meta property=\"og:description\" content=\"John Sharkey III came to some prominence fronting Clockcleaner. The band\u2019s noisy art-punk got less dissonant as they went\" \/>\n<meta property=\"og:url\" content=\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/\" \/>\n<meta property=\"og:site_name\" content=\"The Agit Reader\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/TheAgitReader\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-19T02:01:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-09T12:31:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idlesfront.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"250\" \/>\n\t<meta property=\"og:image:height\" content=\"250\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Brian O&#039;Neill\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@agitreader\" \/>\n<meta name=\"twitter:site\" content=\"@agitreader\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brian O&#039;Neill\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/\"},\"author\":{\"name\":\"Brian O'Neill\",\"@id\":\"http:\/\/agitreader.com\/wp2\/#\/schema\/person\/2688b6925d721bbc0391fd9145777c8e\"},\"headline\":\"Idles PhilaMOCA, Philadelphia, March 11\",\"datePublished\":\"2018-03-19T02:01:20+00:00\",\"dateModified\":\"2018-04-09T12:31:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/\"},\"wordCount\":974,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\/\/agitreader.com\/wp2\/#organization\"},\"image\":{\"@id\":\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2018\/03\/Idlesfront.jpg\",\"keywords\":[\"Idles\",\"What's the Rumpus?\"],\"articleSection\":[\"What's the Rumpus?\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/\",\"url\":\"https:\/\/agitreader.com\/wp2\/idles-philamoca-philadelphia-march-11\/\",\"name\":\"Idles PhilaMOCA, Philadelphia, March 11 - 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