{"id":6254,"date":"2017-10-30T11:38:22","date_gmt":"2017-10-30T15:38:22","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=6254"},"modified":"2017-11-15T13:54:57","modified_gmt":"2017-11-15T18:54:57","slug":"this-is-not-a-death-from-above-concert-review","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/this-is-not-a-death-from-above-concert-review\/","title":{"rendered":"This Is Not a Death From Above Concert Review"},"content":{"rendered":"

\"\"<\/a><\/p>\n

I absolutely love You\u2019re a Woman, I\u2019m a Machine<\/i>. It came out when I just started working in a record store in Columbus. I was the metal buyer, but the beautiful thing about that store was how eager the other employees were to share music they loved, and a lot of it stuck. The hip-hop buyer played me Madvillain and MF Doom, while the indie rock guy turned me onto Dungen and Interpol. And there was Death From Above 1979 (as they were known back then). Not sure who played it first, but immediately it filled my love for the almighty riff, chugging fast and furious, like Robert Plant wailing over punky thrash.<\/p>\n

I broke out that disc to play just now and was shocked to find it has a sticker on it imploring people to vote. This wasn\u2019t specific to this album, though. Warner Music Group stuck it on a whole bunch of albums by different bands, including The Donnas, who were not going to be confused with Rage Against the Machine for socio-political discourse.<\/p>\n

Yet, politics is why despite having tickets waiting for me to review DFA\u2019s date in Philadelphia tonight for The Agit Reader I stayed home, listening to the band\u2019s 13 year-old debut and feeling disillusioned.<\/p>\n

Just a couple days before the show, an article<\/a> was posted at Medium that brought up DFA leader Jesse Keeler\u2019s uncomfortable chummy relationship with Gavin McInnes. McInnes co-founded Vice<\/i> back in the mid-90s. The magazine\u2013turned\u2013media company was often accused of misogyny, but that\u2019s small potatoes to what McInnes has done since. He managed to supposedly get banned from Fox News for being too racist (which is no mean feat) when he called Jada Pinkett Smith a “monkey actress.\u201d<\/p>\n

McInnes\u2019 defenders will call him a provocateur. They say he\u2019s edgy. They claim everyone should lighten up, he\u2019s only kidding.<\/p>\n

Similarly, it\u2019s one thing to have an asshole for a friend. It\u2019s another thing to follow that asshole down the wormhole that is destroying this country. And that\u2019s what Keller did.<\/p>\n

Keller was a frequent guest on McInnes\u2019 podcast. As the Medium piece says, \u201cHe is on there not to argue with Gavin, but to talk about common interests like pro-gun issues and crypto anti-immigrant subjects like \u2018how England is losing its identity.\u2019\u201d They even spent last year\u2019s Presidential Election Day together. And this is where things get really sketchy because McInnes has gone from Libertarian-minded douche-bro to a full-fledged gateway drug to the alt-right cesspool. See him in his Skrewdriver shirt and an alleged White Power tattoo. His defenders will likely call it ironic. He is a hipster after all. But he also started a group called Proud Boys. I\u2019m not going to even go into what his apologists say about the self-described \u201cpro-West fraternal organization.\u201d You only need to know what the Southern Poverty Law Center said of the group:<\/p>\n

Despite McInnes\u2019s protestations on social media and elsewhere, he\u2019s devised, perhaps inadvertently, the most fertile \u201cin-real-life\u201d recruiting ground for white nationalists and anti-Semites within today\u2019s organized far-right.<\/p><\/blockquote>\n

Keller went on the podcast half a dozen times. He was there to stick up for gun culture and, as Cracked Magazine<\/i> excerpted, anti-Muslim views:<\/p>\n

In Episode 133 of The Gavin McInnes Show<\/i>, from April 2016, Keeler made an appearance on the podcast to discuss the presence of Muslim individuals in Luton, and British identity. Before Keeler\u2019s appearance, McInnes talked about how guest Tommy Robinson \u201cnoticed that Muslims don\u2019t assimilate.\u201d As Keeler came on the show, he said, \u201cI\u2019m excited about Tommy Robinson now.\u201d McInnes discussed how \u201cthere\u2019s dozens of mosques\u201d in Luton, and Keeler described his experience: \u201cI walked blocks and blocks and blocks, no pub.\u201d He followed up with the comment, \u201cYou\u2019re in Britain by name.\u201d<\/p>\n

The two segued onto the discussion of \u201csocial justice warriors\u201d, on which Keeler said, \u201cIs it that the social justice warriors have no kids so they\u2019re not interested in the future? Is that part of it? They\u2019re just thinking it doesn\u2019t matter if our cultures or our country doesn\u2019t exist anymore because we\u2019re not going to have anyone there.\u201d<\/p><\/blockquote>\n

This isn\u2019t someone winding up on the Howard Stern show and trying to distance himself from talking about some celebrity\u2019s breasts. This is a musician repeatedly going onto a podcast of a hatemonger and joining in the fray. This is a musician hobnobbing with an emerging alt-right figurehead to playfully discuss how Muslims and women are terrible.<\/p>\n

In a vacuum this would be bad; I have a few sketchy artists in my CD collection and would have no aversion to seeing them live. However, with Nazis marching on American streets and white supremacists in the White House, with blood being shed in Charlottesville and Berkeley and all points in between, Keeler is not just taking artistic liberties. He is actively helping promote it. And as the Medium article pointed out, \u201cWhy does DFA and Jesse Keeler get a pass from the music press and community about his blatant and obvious ties to Gavin McInnes, The Proud Boys and The Alt Right? Why does the press fail to question him on these things and continue to write puff pieces?\u201d<\/p>\n

I pondered that the following day. How could I write a concert review of this band without discussing the events of the preceding days? How could I discuss this mostly apolitical band\u2019s setlist and turn a blind eye to the emerging political story? Even if I was not of the mind that Keeler\u2019s buddy is playing a part in literally destroying this country, it couldn\u2019t be ignored. But I am of that mind. So how was I going to do it?<\/p>\n

At 2:13am the day of the Philly show, Keller used the Death From Above 1979 Facebook page to address the allegations. He did his best to distance himself, saying his \u201cconnection to Gavin however is real, but begs to be clarified,\u201d and that \u201cto a fault it seems that I give people the benefit of the doubt.\u201d Keller\u2019s explanation even caused Kurt Schwitterz, the author of the Medium piece, to amend the article:<\/p>\n

It\u2019s an earnest and humble statement and I believe him. I, as the author of this piece, do not think Jesse Keeler is a Proud Boy or alt-right. He just seems like a giant dummy that hung out with some sketchy people and definitely said some sketchy shit on Gavin\u2019s podcast.<\/p><\/blockquote>\n

And that\u2019s fine and good except that it\u2019s not good enough for me. Nowhere in the 634-word post does Keeler denounce McInnes. He claims he can\u2019t be a racist against immigrants because he, himself, is of mixed race with an immigrant father, but you would think that someone who did grow up like that wouldn\u2019t be so keen to talk about how cool guns are that they ignored what else was being said in those podcasts.<\/p>\n

Even more telling a few posts down, McInnes himself chimes in with what he must think is the pithiest one-liner imaginable.<\/p>\n

One can have civilized discourse on the merits of punching Nazis. However, Keeler didn\u2019t need to throw down with this clown. He just needed to say, \u201cfuck him.\u201d He needed to say that he disagreed with everything McInnes stood for. He needed to sever their relationship publicly. He certainly could have done it in a response to McInnes\u2019 post. Or in the original screed. Or any time since.<\/p>\n

But no, he didn\u2019t do that. He just said he was duped, gee what a shame. And nothing else. He said he wasn\u2019t a Proud Boy, but it didn\u2019t seem impossible he would turn up on the podcast again just as McInnes turned up in his mea culpa.<\/p>\n

So I didn\u2019t go to the show. I didn\u2019t take pictures. I didn\u2019t leave the house. Instead I sat at my desk, listening to that wonderful debut album on repeat, remembering simpler times when those riffs made me so happy.<\/p>\n

It\u2019s ironic because if The Agit Reader publishes this, it might get far more page views than the concert review would have, even if Keller addressed the controversy from the stage and I wrote about that. Honestly, the chance that happened was the last bit of morbid curiosity that almost pushed me out the door.<\/p>\n

But it didn\u2019t because in the end, Keller\u2019s lack of anything other than a complete disavowal of the reprehensible views of his buddy soured me from trying to write a concert review like nothing happened. Simply put, I couldn\u2019t in good conscious write about that show knowing full well that the guy on stage either didn\u2019t care about the ramifications of his buddy\u2019s views on my special needs non-white son in the future, or wasn\u2019t smart enough to think that through.<\/p>\n

The Medium piece indelicately concluded, \u201cFuck The Proud Boys. Fuck Gavin McInnes. Fuck \u2018Western Chauvinism.\u2019 Fuck Death From Above 1979 and FUCK White Supremacy.\u201d<\/p>\n

I will just add, fuck me adding another fluff piece on the band. I just won\u2019t do it.<\/p>\n","protected":false},"excerpt":{"rendered":"

I absolutely love You\u2019re a Woman, I\u2019m a Machine<\/i>. It came out when I just started working in a record store in Columbus. 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