{"id":6204,"date":"2017-09-27T08:48:03","date_gmt":"2017-09-27T12:48:03","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=6204"},"modified":"2017-10-25T12:36:07","modified_gmt":"2017-10-25T16:36:07","slug":"arcade-firewells-fargo-center-philadelphia-september-17","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/arcade-firewells-fargo-center-philadelphia-september-17\/","title":{"rendered":"Arcade Fire
Wells Fargo Center, Philadelphia, September 17"},"content":{"rendered":"

\"Arcade<\/a><\/p>\n

Arcade Fire (pictured above) has been an unlikely success story for some time now, but it\u2019s still an interesting and fairly unprecedented rise to headlining basketball emporiums for the group. (They likely think of arenas as hockey sheds.) Even the critical indifference to the band\u2019s two most recent releases has done little to dampen the enthusiasm of a following whose size at Wells Fargo Center was rivaled only by its diversity.<\/p>\n

The same ethos that allows the band to draw in fans of all ages and a nearly equal divide along gender lines also permits the group to have the likes of The Preservation Hall Jazz Band support. The New Orleans mainstay is no stranger to Arcade Fire as the two groups have played together from time to time since they collaborated to close Coachella in 2014 and subsequently teamed up for a handful of Bowie tributes. Playing in the round meant the group\u2014all seven members\u2014had to be ushered through the still-arriving crowd. This seemed like a missed opportunity. Maybe the PHJB not being mic\u2019d up was the cause, but given how cool a New Orleans parade is, it sure would have been fun to watch the Saints go marching in.<\/p>\n

It\u2019s fair to question why the indie rock band that could is not doing more to help other young groups who could use a tour in front of the people Arcade Fire bring out. Throw The Mountain Goats or labelmates The Clientele a bone, or a tenured influence who never got their due such as The Feelies are deserving. Fortunately, The Preservation Hall Jazz Band riled up the venue way better than any indie rockers might have. It was loud, upbeat, and man did it swing. The rollicking set was an organic, authentic way to warm a crowd to a headliner that as of late has started to become self-conscious to a fault.<\/p>\n

Arcade Fire still seems to be grappling with how to handle the expectations of big crowds. This was evidenced by strange pep-talks during the changeover on the big screens by someone with a vaguely country accent, whose face was replaced with blurry purple and red splotches like a champagne supernova or something. He alternately skirted copyright law (\u201cI\u2019m not legally allowed to tell you to get ready to rumble\u2026\u201d) and hawked band merch.<\/p>\n

The stage was Spartan save for a phalanx of instruments \u2013 horns, two drum kits, violins, a couple keyboard banks and at least half a dozen guitars \u2013 and tape around the stage giving the appearance of a boxing ring. I would have pegged the Canadian group as too polite for pugilism, but they should have completed the effect by having a microphone drop into the center of the ring.<\/p>\n

While there was no microphone drop, the band\u2019s entrance was a huge spectacle right out of a Rocky sequel with a cheeky announcer making like Grammys and Juno awards were title fights and similarly hyperbolic verbiage such as \u201cWeighing in collectively at 2,100 pounds\u201d being displayed on the giant screens above the stage. Those crazy Canucks.<\/p>\n

The band took advantage of performing surrounded by the audience in other ways aside from the feigned fisticuffs. The center of the stage rotated with members taking turns on the ride. Cameras were placed at unexpected angles, creating odd collages of the various band members on the screens. The effect was exacerbated when multi-colored filters and juxtaposed spacescapes turned it into a psychedelic slideshow modernized for millennial consumption.<\/p>\n

\"\"<\/a>Fans held aloft lit cell phones during \u201cNeon Bible\u201d as if on command. I couldn\u2019t find an edict from the band requesting this bit of audience participation (and after a silly dress code snafu for an earlier Brooklyn release show, they surely wouldn\u2019t have risked more backlash making demands on attendees). It seems the crowd just picked up on the light-referencing lyrics and collectively became a dynamic part of the show.<\/p>\n

The Talking Heads comparisons were natural even before David Byrne jammed with Arcade Fire last year, and in concert, they are even more obvious. Haitian dancers accompanying the group spiced up \u201cHaiti,\u201d a song that dates back to the band\u2019s debut. The likes of \u201cHere Comes the Night Life\u201d off Reflektor<\/i> and several moments from the new album were dancefloor-ready art-pop, especially Regine Chassagne\u2019s falsetto during the pulsating disco of \u201cElectric Blue.\u201d<\/p>\n

For the first song of the encore, \u201cWe Don\u2019t Deserve Love,\u201d Win Butler sang the opening verse and chorus walking around the general admission floor looking like a nomadic Bono. This was ironic since like U2, Arcade Fire has not always grappled with middle age very gracefully, but you didn\u2019t see many signs of that. The feedback from the crowd was nothing but reverential and the enthusiasm was infectious.<\/p>\n

The Preservation Hall Jazz Band crowded onto the stage to join in a euphoric return to \u201cEverything New,\u201d which started the show nearly two hours prior, before ending the set with \u201cWake Up.\u201d That\u2019s when we finally got that parade as both bands marched through the crowd into the now-lit venue, Win\u2019s ad-libbing the chorus into \u201cStand By Me\u201d as they marched off.<\/p>\n

Usually the lights go on after the band exits in darkness. Arcade Fire went off into the light, and the symbolism was inescapable.<\/p>\n","protected":false},"excerpt":{"rendered":"

Arcade Fire has been an unlikely success story for some time now, but it\u2019s still an interesting and fairly unprecedented rise to<\/p>\n","protected":false},"author":19,"featured_media":6207,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[792,2083,2084,1443],"class_list":["post-6204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whats-the-rumpus","tag-arcade-fire","tag-the-preservation-hall-jazz-band","tag-wells-fargo-center","tag-whats-the-rumpus"],"yoast_head":"\nArcade FireWells Fargo Center, Philadelphia, September 17 - 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