{"id":6057,"date":"2017-07-20T14:12:31","date_gmt":"2017-07-20T18:12:31","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=6057"},"modified":"2017-08-01T13:19:03","modified_gmt":"2017-08-01T17:19:03","slug":"oxbowkung-fu-necktie-philadelphia-july-16","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/oxbowkung-fu-necktie-philadelphia-july-16\/","title":{"rendered":"Oxbow
Kung Fu Necktie, Philadelphia, July 16"},"content":{"rendered":"

\"Oxbow\"<\/a><\/p>\n

Tonight\u2019s opening bands encapsulated both extremes of the noise spectrum, starting with the local Mob Terror, who merge equal parts Land Speed Record<\/i>\u2013era H\u00fcsker Du and Scum<\/i>-era Napalm Death but with a technical prowess that is obvious despite the speed and more volume than a trio should have.<\/p>\n

As fast as Mob Terror was, Queen Elephantine was just as deliberate. It\u2019s a solid bet that Josh Yelle puts more effects pedals on his cello than anyone before him in the entire history of music. But he seems to actually use them, a mild surprise given that the instrument seems employed more as reverberating percussion that creates just as much of a foundation to the band\u2019s sound as the two drummers. Their kits face each other like one of those old timey jazz drum competitions that you can find in grainy YouTube videos.<\/p>\n

Such contrasts allow for dynamic drone, and if that seems at odds with itself, well, it is. Unlike most morose folks, the quintet (at this show there were five of them; the band claims to have ten or more members spread around the globe) slows down but still has far more going on than might be perceived. A respect for progressive rock and jazz is obvious even when the singer is moaning incomprehensibly and the tempo seems stuck in reverse. Some bands make the complex look easy, but Queen Elephantine takes it one step further by making it seems completely unforced.<\/p>\n

And of course there\u2019s nothing easy about Oxbow. All four individuals are accomplished and crazy: a jazz drummer who stays in the pocket, as jazz drummers are wont to do; a noise guitarist versed in skronk and circumstance; and a post-punk bassist who is the glue that seatbelts everyone in for the ride.<\/p>\n

But frontman Eugene Robinson, a man unlike any you have met, steals the show. In many ways, Oxbow makes music for him to strip to: he started out wearing a jacket, white tuxedo shirt and a gentleman\u2019s hat but soon most of his clothing was hanging from the drum kit, leaving Robinson a sweaty mass of tattoos and muscles clad only in dress slacks, an open vest and a Star of David around his neck.<\/p>\n

Part Henry Rollins\u2019 hot animal machine stalking the stage looking for prey, part Tom Waits\u2019 haggard bluesman with a chip on his shoulder and stories to tell, Robinson is, to put it mildly, intimidating. He doesn\u2019t tell jokes between songs but elicits nervous laughter all the same. He had a palpable disdain for those who would try to capture the show. \u201cI am having sex, I don\u2019t want cameras, but video is especially off-putting,\u201d he said after wiping spit on one photographers lens who he thought was making a video.<\/p>\n

Thin Black Duke<\/i>, released earlier this year, brought Oxbow out of a decade-long hiatus, and the band performed about half of it, including the throbbing \u201cA Gentleman\u2019s Gentleman,\u201d album opener \u201cCold & Well-Lit Place\u201d which channels both Nick Cave and Mike Patton, and lilting, lingering set-closer \u201cEcce Homo.\u201d The album will undoubtedly appear on many Best of 2017 lists, and live its songs were even more deserving of such accolades.<\/p>\n

Of the older tracks played, standouts included \u201cThe Stabbing Hand\u201d and a cathartic, chaotic \u201cBurn,\u201d a song which defines art rock in the hands of Oxbow, and a legitimately unplanned encore chosen after some debate by the singer, audience, and guitarist who seemed distressed that his rig could play only two settings: \u201dreally loud and really clean.\u201d The choice of \u201cSunday,\u201d from 1995\u2019s Let Me Be a Woman<\/i> was like a psychotic break set to music, a perfect ending befitting Oxbow\u2019s perfect comeback.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tonight\u2019s opening bands encapsulated both extremes of the noise spectrum, starting with the local Mob Terror, who merge equal<\/p>\n","protected":false},"author":19,"featured_media":6058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[2051,2049,2048,2050,1443],"class_list":["post-6057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whats-the-rumpus","tag-kung-fu-necktie","tag-mob-terror","tag-oxbow","tag-queen-elephantine","tag-whats-the-rumpus"],"yoast_head":"\nOxbowKung Fu Necktie, Philadelphia, July 16 - 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