{"id":3863,"date":"2015-09-23T10:57:30","date_gmt":"2015-09-23T14:57:30","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=3863"},"modified":"2015-10-07T12:38:54","modified_gmt":"2015-10-07T16:38:54","slug":"cocteau-twins-the-pink-opaque-and-tiny-dynamineechoes-in-a-shallow-bay","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/cocteau-twins-the-pink-opaque-and-tiny-dynamineechoes-in-a-shallow-bay\/","title":{"rendered":"Cocteau Twins <br>The Pink Opaque and Tiny Dynamine\/Echoes in a Shallow Bay"},"content":{"rendered":"<p><a href=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/tiny_dynamite.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-3865 size-full\" src=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/tiny_dynamite.jpg\" alt=\"Cocteau Twins, Tiny Dynamine\" width=\"250\" height=\"250\" srcset=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/tiny_dynamite.jpg 250w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/tiny_dynamite-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a>As I\u2019ve <a href=\"http:\/\/www.agitreader.com\/perfect\/cocteau_twins-the_pink_opaque.html\">detailed previously<\/a>, hearing the Cocteau Twins for the first time was something of an epiphany. Here was a band that was able to take swathes of guitar and sculpt them into dazzling compositions equally delicate and titanic. And then there was the voice. The Cocteaus\u2019 vocalist Elizabeth Fraser was once described as \u201cthe voice of God,\u201d but I doubt that deity ever sounded so good barking out commandments and whatnot. Fraser spun made-up words, syllabic hiccups, and even some vocabulary found in the dictionary into songs complex and affecting despite their obtuseness. The combination of such otherworldly intonations, guitarist Robin Guthrie\u2019s six-string oscillations, and the mechanized beats they utilized throughout their career resulted in a near perfect swirl of icy cadence, emotional resonance, and ethereal atmosphere.<\/p>\n<p>Following on its reissues of the band\u2019s biggest commercial successes, 1988\u2019s <i>Blue Bell Knoll<\/i> and 1990\u2019s <i>Heaven or Las Vegas<\/i>, 4AD has rereleased two more volumes from the Cocteau Twins discography on vinyl and digitally. The compendium <i>The Pink Opaque<\/i> and the twin EPs <i>Tiny Dynamine<\/i> and <i>Echoes in a Shallow Bay<\/i>, combined here as one volume, all date from 1985, a year of transition for the band. They had inked a new international distribution deal, and <i>The Pink Opaque<\/i>, a collection of 10 of the band\u2019s bests from the years previous, including \u201cMillimillenary,\u201d a song that originally appeared only on an <i>NME<\/i> compilation, was released as an introduction to the band for new American fans (such as those in my hometown of Columbus, as witnessed <a href=\"https:\/\/www.youtube.com\/watch?v=gaOlNfC8_xQ\" target=\"_blank\">here<\/a>). The EPs, released the same month as <i>The Pink Opaque<\/i>, were, as bassist Simon Raymonde later explained, the results of studio experimentation and sort of cleared the air for what was to come next, which would be the acoustic <i>Victorialand<\/i>, a collaboration with Harold Budd (<i>The Moon and the Melodies<\/i>), and the second This Mortal Coil album, <i>Filigree &amp; Shadow<\/i>. In a way, 1985 found the band at a crucial moment, coming off the brilliant <i>Treasure<\/i> and able to go anywhere it so chose.<\/p>\n<p><a href=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/the_pink_opque.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3864 size-full\" src=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/the_pink_opque.jpg\" alt=\"Cocteau Twins, The Pink Opaque\" width=\"250\" height=\"250\" srcset=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/the_pink_opque.jpg 250w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/the_pink_opque-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a>In my opinion, there may not be another compilation album as amazing as <i>The Pink Opaque<\/i>, which is now finally back in print after being out of circulation since 1999, when it was pressed to CD. Like its dimly lit abstraction of a cover, the album is a world unto itself, with each of its 10 pieces coming together in unique ways to construct it. The slow build of \u201cThe Spangle Maker\u201d is the perfect entry, its introductory bass plod eventually blooming into a fireworks display of vocal sparks and guitar explosions. While remixed especially for the comp, \u201cWax and Wane,\u201d is the oldest track on the album, but it exhibits all the traits of the band\u2019s later work, with Fraser\u2019s trilled vocals contrasting sharply with the cracking drum machine snare. By the time Fraser implores us to come \u201cHitherto\u201d nearly midway through the record, it\u2019s impossible to not already have been taken in by her siren song. On \u201cAikea-Guinea,\u201d that song is even more beguiling, with Fraser\u2019s voice spiraling to new heights amid a whirl of tubular bells, crystalline guitar, and a churning rhythm. \u201cLorelei\u201d begins on that same precipice and aims higher, Fraser\u2019s vocals at once insular and angelic as they soar above Guthrie\u2019s controlled tsunami and stuttered drumbeats. The record\u2019s most vitriolic track, \u201cMusette and Drums\u201d is a fitting way to end, especially with Guthrie\u2019s guitar eventually flying off the rails and into the aether.<\/p>\n<p><a href=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/echoes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-3866\" src=\"http:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/echoes.jpg\" alt=\"Cocteau Twins, Echoes in a Shallow Bay\" width=\"250\" height=\"250\" srcset=\"https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/echoes.jpg 250w, https:\/\/agitreader.com\/wp2\/wp-content\/uploads\/2015\/09\/echoes-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a>While perhaps not as indispensable as the songs found on <i>The Pink Opaque<\/i>, in comparison to the rest of the Cocteau\u2019s discography\u2014and, of course, the whole of popular music\u2014the material on <i>Tiny Dynamine<\/i> and <i>Echoes in a Shallow Bay<\/i> is utterly unique. \u201cPink Orange Red\u201d reveals Fraser at her most playful, singing with her own echoed vocals, while songs like \u201cRibbed and Veined\u201d and \u201cGreat Spangled Fritillary&#8221; show Guthrie fiddling with sonic textures. One could argue that songs like \u201cSultitan Itan\u201d and \u201cEggs and Their Shells\u201d pointed toward the restrained styling of the forthcoming <i>Victorialand<\/i>, but they also come off as case studies in new sounds perhaps used later or put away for good. The centerpiece of both records is \u201cMeloneila,\u201d a piano-led composition on which Fraser sings in a dialect that comes off Eastern European, though I don\u2019t believe it is an actual dialect. The track is reminiscent of what would come much later on <i>Four Calendar Cafe<\/i> and stands out among the smoother textures elsewhere on these records. While these EPs are perhaps less significant than other records, it\u2019s hard to say that any Cocteau Twins recording is less than essential. In existence for just 15 years, the Cocteau Twins created a body of work big enough to be diverse, but not so large that we shouldn\u2019t treasure every bit of it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I\u2019ve detailed previously, hearing the Cocteau Twins for the first time was something of an epiphany<\/p>\n","protected":false},"author":17,"featured_media":3865,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[835,1433,1444],"class_list":["post-3863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-perfect","tag-4ad","tag-cocteau-twins","tag-past-perfect"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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