{"id":2609,"date":"2014-11-21T09:56:22","date_gmt":"2014-11-21T14:56:22","guid":{"rendered":"http:\/\/agitreader.com\/wp2\/?p=2609"},"modified":"2014-12-01T12:24:01","modified_gmt":"2014-12-01T17:24:01","slug":"johnny-marr-music-hall-of-williamsburg-brooklyn-november-15","status":"publish","type":"post","link":"https:\/\/agitreader.com\/wp2\/johnny-marr-music-hall-of-williamsburg-brooklyn-november-15\/","title":{"rendered":"Johnny Marr
Music Hall of Williamsburg, Brooklyn, November 15"},"content":{"rendered":"

\"jmarr\"<\/a><\/p>\n

While it seems that since the turn of the millennium that even the most inconsequential of bands from decades past have gotten back together, there remains those groups for whom it\u2019s safe to say that a reunion just isn\u2019t in the cards. The Smiths are one such holdout. Even with a Rock & Roll Hall of Fame induction looming, reports of the legendary Manchester band turning down millions indicate that a reunion will most likely never happen, even for such an event.<\/p>\n

As such, Smiths fans have to contend themselves with the next best thing, which is not, as some might think, a Morrissey live performance, but rather seeing the Moz\u2019s one time songwriting partner, guitarist Johnny Marr. Even putting aside record label quibbles and the countless canceled tours\u2014not to mention mediocre records\u2014Morrissey\u2019s live show of the past decade just doesn\u2019t measure up. His is the schmaltzy product of a bloated ego far removed from the tender hooligan who once sang of charming men, girlfriends in comas, and the shoplifters of the world.<\/p>\n

Marr on the other hand has been touring consistently the past two years in support of a pair of fine records that surpass anything his former comrade has recorded recently. Moreover, if you want to hear a handful of Smiths songs played with the kind of verve and spirit of their original incarnations, then Johnny\u2019s your man.<\/p>\n

Such was the case this past Saturday when he played the soldout Music Hall of Williamsburg. Leading off with the title track from his new longplayer, Playland<\/i>, Marr and his crew jumped headlong into a set that let up very little throughout the night. \u201cPanic\u201d followed, and hearing him belt out this classic, one couldn\u2019t help wonder where Johnny has been keeping his voice all those years of playing with Modest Mouse, The The, and The Pretenders. But while The Smiths songs were definitely relished, the solo material that made up the bulk of the set wasn\u2019t lacking in any way, shape, or form. \u201cNew Town Velocity,\u201d from last year\u2019s The Messenger<\/i>, was one of the highlights of the evening, its chiming guitars a perfect segue into the ringing tones of \u201cThe Headmaster Ritual.\u201d<\/p>\n

Indeed, new and old meshed seamlessly together, the rambunctious \u201cGenerate! Generate!\u201d transitioning to \u201cBigmouth Strikes Again,\u201d which didn\u2019t lack for chill-inducing moments. While the Healers record was (rightly) not represented, Marr reworked \u201cGetting Away with It,\u201d from the Electronic self-titled debut, for guitar. \u201dHow Soon Is Now?\u201d followed, and though he was accompanied by The Roots\u2019 Kirk Douglas, it was slightly disappointing that Andy Rourke didn\u2019t join him onstage like he did last year at Webster Hall, especially as he was apparently present at the show.<\/p>\n

For an encore, Marr began with \u201cStill Ill,\u201d which may have been the best of all the night\u2019s great moments. He also covered Iggy Pop\u2019s \u201cLust for Life,\u201d managing to breathe some life into the cruise line jingle before ending with \u201cThere Is a Light That Never Goes Out.\u201d While the song\u2019s refrain about death and double-decker buses is certainly poignant, just as crucial are those ringing notes that punctuate it, and Marr\u2019s delivery of both was expert. It\u2019s truly a rare instance that a concert feels so satisfying on every level\u2014especially when there\u2019s a legacy like The Smiths hovering in the back of the minds of everyone present\u2014but this one was perhaps perfect.<\/p>\n","protected":false},"excerpt":{"rendered":"

While it seems that since the turn of the millennium that even the most inconsequential of bands from decades past have<\/p>\n","protected":false},"author":17,"featured_media":2611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[250,997,1443],"class_list":["post-2609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whats-the-rumpus","tag-johnny-marr","tag-music-hall-of-williamsburg","tag-whats-the-rumpus"],"yoast_head":"\nJohnny Marr Music Hall of Williamsburg, Brooklyn, November 15 - 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