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	<title>AR@Pitchfork &#187; Curren$y</title>
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		<title>Closing Arguments</title>
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		<pubDate>Tue, 19 Jul 2011 21:12:16 +0000</pubDate>
		<dc:creator><![CDATA[Matt Slaybaugh]]></dc:creator>
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		<category><![CDATA[Ariel Pink's Haunted Graffiti]]></category>
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		<category><![CDATA[Cut Copy]]></category>
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		<category><![CDATA[G-Side]]></category>
		<category><![CDATA[Gang Gang Dance]]></category>
		<category><![CDATA[Guided By Voices]]></category>
		<category><![CDATA[HEALTH]]></category>
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		<category><![CDATA[James Blake]]></category>
		<category><![CDATA[Kylesa]]></category>
		<category><![CDATA[Neko Case]]></category>
		<category><![CDATA[No Age]]></category>
		<category><![CDATA[Odd Future]]></category>
		<category><![CDATA[OFF!]]></category>
		<category><![CDATA[Shabazz Palaces]]></category>
		<category><![CDATA[Sun Airway]]></category>
		<category><![CDATA[Superchunk]]></category>
		<category><![CDATA[The Radio Dept.]]></category>
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		<category><![CDATA[tUnE-yArDs]]></category>
		<category><![CDATA[TV on the Radio]]></category>
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		<description><![CDATA[Tyler the Creator Robert Pollard waltzed out, sporting a well-worn Ohio t-shirt, and asked the crowd, &#8220;Are you guys ready for some quality, professional rock &#8216;n&#8217; roll?&#8221; The festival stages at Pitchfork increasingly seem designed to separate the professionals from the up-n-comers and ever more so from those not yet ready for prime-time. The sure-fire <a href='https://agitreader.com/pitchfork/?p=195' class='excerpt-more'>[...]</a>]]></description>
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		<title>P4k11 day one snapshots</title>
		<link>https://agitreader.com/pitchfork/?p=158</link>
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		<pubDate>Sat, 16 Jul 2011 16:23:18 +0000</pubDate>
		<dc:creator><![CDATA[Matt Slaybaugh]]></dc:creator>
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		<category><![CDATA[Curren$y]]></category>
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		<description><![CDATA[GATEKEEPER EMA TUNE-YARDS BATTLES THURSTON MOORE CURREN$Y GUIDED BY VOICES DAS RACIST NEKO CASE JAMES BLAKE ANIMAL COLLECTIVE]]></description>
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