Best of 2008
by Stephen Slaybaugh


Top 10 Albums

Crystal Stilts
Alight of Night
(Slumberland)

Perhaps tops among the recent bumper crop of bands to sprout from Brooklyn's cracked avenues, Crystal Stilts have divined a vesperal sound haunted by whisps of shoegazed past lives and Nuggets bands never heard from again. The band's full-length debut, Alight of Night, is a near perfect melding of new and old sounds, a cacaphonous trip into a black hole of sound where the rewards are derived more from getting lost in it than coming out the other side.

Sic Alps
U.S. Ez
(Siltbreeze)

This duo's Siltbreeze debut was all over the map, but in the best of ways. It takes a unique talent to go from bluesy dirges to noise detours to sundropped pop without sounding incoherent, but Sic Alps have got it, and U.S. Ez was blessed with the best combination of leftfield ideas and centered songsmanship.

Frightened Rabbit
Midnight Organ Fight
(Fat Cat)
With the semiotic resonance of an Updike novel and a musical hybrid grafted from stem cells taken from both Wil Oldham and Snow Patrol, Frightened Rabbit's second full-length was tumultuous as it was smart. "Keep Yourself Warm" is the greatest of many standouts, singer Scott Hutchinson projecting a malaise unquenched by one-night stands.
Spiritualized
Songs in A&E
(Sanctuary)
Jason Pierce long ago traded in statospheric psychedelics for a sound rooted in heavenly gospel soul, but never has he been more earthbound than on Songs in A&E. Written over a long period of time of that included a bout of illness that had him staring his mortality in the face, the record delves into human frailty from a number of directions while the clarity of its sparseness (by Spiritualized standards) coalesces with such themes into something angelic.
Wire
Object 47
(Pink Flag)

On leadoff cut, "One of Us," Colin Newman sings, "One of us will live to rue the day we met each other," and he may be addressing guitarist Bruce Gilbert's departure from the legendary band. (Check out our interview from earlier in the year to learn more.) Be that as it may, Gilbert's absence isn't particularly noticeable on Wire's latest, 47th, release. Encompassing all the varied tacks the band has taken through the years, Object 47 is an invigorated and whipsmart piece of work from the greying art-punks.

High Places
High Places
(Thrill Jockey)

The music of Brooklyn's High Places occupies an ethereal realm made from a hubris equal parts organic and artificial. As such, their orchestrated pop confections seem to occupy their own space and time, and the duo's debut full-length is more than just the result of its unique hybrids, it's its own niche.

Gang Gang Dance
Gang Gang Dance
(The Social Registry)

Brooklyn's Gang Gang Dance warped a wide swath of influences to its own vision for their second album. Techno-pop mutates with African rhythms, free jazz reproduces with disco-punk, trip-hop mingles with shoegaze—all culminating into an album completely inventive and wholly enjoyable.

Love Is All
A Hundred Things Keep Me Up at Night
(What's Your Rupture?)

Borne out of Sweden, but bred on British and American '80s post-punk pop, the sound Love Is All makes is at once forward thinking and ensconced with the best of reference points. The band has created a record imbued with a sense of urgency, like the battle they wage against ennui and kicking out the jams was a matter of life and death.

Lykke Li
Youth Novels
(LL)

Lykke Li's debut is a record as smart as it is infectious. Here her sweetly sung lullabies to love and life are paired with sparkling pop imbued with a melodic sense of wonder and sumptuous beauty. Li romances the song as much as her unnamed paramours, and it's the listener who can't help but fall head over heels.

Japanese Motors
Japanese Motors
(Vice)

What this Californian outfit of surfers by day, rockers by night does may not seem like anything extraordinary at first listen—recombined Velvets riffs and well-salted lines on girls and the wild life—but it doesn't take too much to make a solid album if you do it right. And the Japanese Motors do, creating an album of sharp hooks and hootin' and hollerin' that's all that's really needed from a rock record.



Other Writers
Kevin J. ElliottDorian S. HamTom ButlerMichael P. O'ShaughnessyJosie RubioRon WadlingerJennifer FarmerPhil Goldberg